Various Tessellations 15
—after Karen Fitzgerald’s painting, Burning Pearl
Pearls contain clementine reflections.
to this rage of inward glow at
induces partial flame
synchronized ornamental prophecies beyond bodily worth the
symmetry of health comprehends when held
wholly within hand of adoptive disposition.
Various Tessellations 16
—after Paul Motian’s Casino
Night of desolation.
Hand of magical mimesis.
Opponent of gift lights,
to the hiding dynamic of dissipated timekeeping,
Requesting monetary deviation.
Smoke into twirling barrage of
crowning pearl of rarity, win win
syncopated hope then
desolate again, traveler, another temporal anecdotal
Various Tessellations 17
—after Paul Motian Trio’s Birdsong
Wire dance, paused vernacular you’ve
become an etched insulation, varied.
Saddened now you’ve
orchestrated denial, ascended angled psalms of
mobile interpretations. Rejuvenation
within tomorrow’s solid music, rhythm
volume oscillating constructs:
italicized watchers entail
burdened absence, succinct as wind amid
a branch’s naked cleansing, autumnal. Can the
whisper of your fingered song
rotate into twirled aspect of neoteric dancer?
forgoes logical nuances, suppositional where
isolation gilds broken heirlooms:
trio of cadenced sorrow
purpling closeness as if bruised through intention, and
heal of rounded scar
escapes pain of the original graving
skin inward reflectional
withdrawn into back