Various Tessellations 15
—after Karen Fitzgerald’s painting, Burning Pearl
Pearls contain clementine reflections.
Particular
to this rage of inward glow at
paralleled
parameters flow
induces partial flame
synchronized ornamental prophecies beyond bodily worth the
symmetry of health comprehends when held
wholly within hand of adoptive disposition.
Various Tessellations 16
—after Paul Motian’s Casino
Night of desolation.
Causation.
Hand of magical mimesis.
Opponent of gift lights,
partial
to the hiding dynamic of dissipated timekeeping,
intentional.
Requesting monetary deviation.
Smoke into twirling barrage of
dancing halos
crowning pearl of rarity, win win
syncopated hope then
desolate again, traveler, another temporal anecdotal
immanence.
Various Tessellations 17
—after Paul Motian Trio’s Birdsong
Wire dance, paused vernacular you’ve
become an etched insulation, varied.
Saddened now you’ve
orchestrated denial, ascended angled psalms of
mobile interpretations. Rejuvenation
within tomorrow’s solid music, rhythm
volume oscillating constructs:
below the
italicized watchers entail
burdened absence, succinct as wind amid
a branch’s naked cleansing, autumnal. Can the
whisper of your fingered song
rotate into twirled aspect of neoteric dancer?
My answer
forgoes logical nuances, suppositional where
isolation gilds broken heirlooms:
trio of cadenced sorrow
purpling closeness as if bruised through intention, and
the
heal of rounded scar
escapes pain of the original graving
skin inward reflectional
diameter,
withdrawn into back
stepping
ideological
hanker.
